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This ensures the most accurate noise analysis and processing, regardless of the specific Log format you’re working with. When working with Log footage, it’s optimal to convert the image to linear data using a Color Space Transform (CST) node before processing with the Neat Video plug-in. Once you’re satisfied, you can add additional downstream nodes and continue color grading on top of a solid noise-reduced foundation. In the Neat Video plug-in, set the Input Data Type to “Gamma Corrected” (the default option) and dial in your noise reduction settings. When working with Rec709 footage in a traditional DaVinci YRGB project, place the Neat Video plug-in on the first node in your tree. Doing so will set the correct processing algorithms for that format, and will enable the proper display of the image in the plug-in’s viewer window. Inside the plug-in, the Input Data Type dropdown at the bottom-left of the interface allows the user to choose the correct format for each clip. These two options ensure that the plug-in fits into both traditional Rec709 and more complex Log and color-managed workflows. The Neat Video plug-in is designed to work most accurately with either Rec709 gamma-corrected video or linear video data.

Working In Rec709, Log and Color-Managed workflows In these cases, the Neat Video node is still placed early in the tree, but may be preceded by LUTs or Color Space Transforms to convert the video data into a format optimized for the Neat Video plug-in. There are some exceptions to this rule, specifically in Log and color-managed grading workflows. And there are additional benefits to this approach when it comes to caching and performance optimization, which we’ll address in a future post. Chroma and Luma keying, custom curves and the Color Warper tool all benefit greatly from a low-noise signal, generating much cleaner results.

This gives the plug-in access to the original, unaltered video signal and allows us to work downstream of the noise reduction process without worrying that our color corrections might reduce the accuracy of the de-noising.īy placing the noise reduction operation first, we’re creating a clean foundation for the rest of our technical and creative color grading operations. In most color grading scenarios, it’s best to perform the Neat Video noise reduction process on the first node in the tree, placing subsequent grading operations after it. Place Neat Video on the first node (most of the time) Due to its architecture, Resolve may require more GPU memory on other pages, so when efficiency is important it is best to apply on the Color page. Resolve itself is also most efficient when such temporal effects are applied on the Color page. This gives the plug-in access to all the video data it’s expecting, including adjacent frames necessary for temporal noise reduction, and enables its optimal placement in relation to other color grading operations. OFX plug-ins may be placed on clips in the Edit timeline, on nodes in the Color page, or in Fusion compositions, but each of these methods differ in the way the video data is prepared by Resolve and passed to the plug-in.Ĭurrently, Neat Video is optimized to work best when placed in a node on the Color page. Unlike many other host applications, Resolve offers multiple places to apply effects, each with their own nuances in the way that they’re processed.

Neat image code how to#

By the end, you’ll know how to apply Neat Video in ways that optimize its performance while integrating into your specific color grading workflow. In this first post, we’ll cover the basics of using Neat Video in Resolve, including where to apply the plug-in and how to integrate it into various color workflows including Rec709, Log and Color-Managed (such as ACES and DaVinci YRGB Color-Managed).

Neat image code series#

This new blog series will cover tips and techniques for getting the best results from Neat Video inside Resolve. The Neat Video plug-in for Resolve is a powerful solution for noisy footage. In addition to its extensive toolset, one of Resolve’s biggest strengths is its ability to add functionality through 3rd party plug-ins. An industry-standard in the area of color correction and grading for years, Resolve has recently added robust tools for editing, VFX, motion graphics and sound mixing, making it a powerful all-in-one post-production powerhouse.

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When it comes to pro video applications, few offer a value proposition as compelling as Blackmagic Design’s DaVinci Resolve.